Friday Fictioneers: Wedding

I never wanted to marry you. It was simply the absence of alternatives. No career, only a job I hated. Nobody else that was likely to ask me either, the other men had moved out and moved on. There was  just you. My parents made it clear that if I stayed I would be nothing more than an unpaid cook, cleaner and carer. No thank you. And so there was the quickie wedding, the shiny nylon dress and warm fizz, one glass only.  Cheap motel, thin walls and police sirens all night.

She cries as she looks at the grave.

Friday Fictioneers

Photo credit: Rochelle Wisoff-Fields

Friday Fictioneers: Train

Jack gazes at the train as it crouches black on the rails, like a bear ready to spring. He imagines how the carriage will reek of boys like him, packed tight like matches end to end in the seats, smelling of fear and newly laundered uniforms. He does not want to go. He repeats the phrase desperately to himself, as if it will catch him up and swoop him off through the gap in the carriages and out to sea. Brakes scream like gulls and the train shivers, ready to leave. Jack stares straight ahead as he climbs on.

Friday Fictioneers

Photo credit: Jennifer Pendergast

Friday Fictioneers: Story

I’m the story, sitting under the palms and dreaming of home. I came here looking for absences, margins, the floes of experience isolated from the buzz of reality.  The cool pink of dawn warmed with cries of birds I don’t recognise, the long slow blue of a sea without waves, searching the shoreline for a peace that I can’t find inside my own head. I came not to escape but to discover the next beginning so I can start writing the last end. It’s my first solo trip out of England and the red lights are shining my way home.

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Friday Fictioneers is a 100 word flash fiction challenge hosted by Rochelle Wisoff-Fields.

Photo credit: C.E. Ayr

Friday Fictioneers: Beginning

She’s had her hair cut short, doesn’t like it. Thinks it makes her look old and grey. But she is both of these things so figures she may as well learn to live with it, if not love it. She’s not sure who she wants to be this year: brave, bold and inspirational or maybe serene, tranquil and calming. Doesn’t think it’s possible to be both. She wants to travel too – Croatia, Macedonia, Italy, nowhere far-flung to be honest. And she wants to write, with conviction and courage and creativity. She doesn’t want to be a shadow. Happy New Year.

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Friday Fictioneers

Photo credit: Rochelle Wisoff-Fields (also the host of Friday Fictioneers, a 100 word flash fiction writing challenge).

Friday Fictioneers: Aftershock

James sighs, a long slow outbreath that hangs in the air like smog. He picks up the rain-spattered newspaper but can’t bear to look at it, shakes his head and stares away from her, out to the snowy garden. Ruth considers trying to cheer him up with a few well-chosen and witty words but dries up even as she thinks of what to say, knowing how he feels isn’t to be made a joke of. The week before seems like a different age – at least they had something to hope for. Now, post-election, there’s nothing. This is Boris’s world now.

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Friday Fictioneers is hosted by Rochelle Wisoff-Fields and it’s a flash fiction challenge – 100 words in response to the photo prompt. This week’s piece is in response to the recent UK general election results.

Photo credit: Dale Rogerson

Friday Fictioneers: House

I knew I needed a different approach, that using your rules would never work. So I planned secretly, in those long hours when you forbade me freedom. You thought the isolation would break me, make me need you more, but in that cold silence you set me free. I hid my face from you while smiling sweetly and sorrowfully and it didn’t matter because you didn’t look at me anyway. I used my body to bear your hatred, cushioning myself against your rage, and all the time I spun spiders webs of deceit that trapped you as I left.

“The master’s tools will never dismantle the master’s house” – Audre Lord

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Friday Fictioneers is a weekly flash fiction writing challenge – 100 words in response to a photo prompt. I’m writing a lot of “I” pieces at the moment which I’m trying to move away from but not this week, apparently. Word count = 99.

Photo credit: Mikhael Sublett.

Friday Fictioneers: Falling

I’m free-falling, diving deep and down, down the rabbit hole with the red pill stinging my tongue. I’m Alice trying to find my way home, Dean Moriarty searching desperately for oblivion, Ahab obsessed to the death with his whale. I am every character I’ve ever read, my self dissipating into the long slow blue that lies before me, trails of who I used to be drifting across country like wildfire. I’m every fear and loathing you’ve ever had, the warning raven at your window, the silent wolf behind that door. I’m melting into water, crying for my red shoes.

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This week’s genre was non-fiction out of mind experience – the bus reminded me of nightmares I had after having an anaesthetic. Word count = 99 words.

Friday Fictioneers is a weekly flash fiction writing challenge hosted by Rochelle Wisoff-Fields.

Friday Fictioneers: Bruise

The sky was bruise-black, her arm the same. This time it had been the shopping that was wrong: not enough of what he wanted, whatever that was. Her mother told her the best way to deal with it was to stay silent and, above all, never blame him. Always take responsibility. When Susannah asked why, why was it like that for her, her grandmother shook her head, said she didn’t know but that was how it was. Always had been, always will be. Round and round and round it went, violence passed down the generations like a bad gene.

 

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Friday Fictioneersa 100 flash fiction writing challenge in response to the weekly photo prompt. Hosted by Rochelle Wisoff-Fields.

Word count = 99 words

Betrayal

My name is Billy but he called me William, with a tone that was meant to be kindly but slid across my ears like a snake. He painted me often – loved my skin he said, and touched it wherever and whenever he could. He said it was for the good of the painting, that he needed to get the texture right but the stroke turned into a caress that lasted just too long. I knew what he wanted, of course, we all did. Henry (he asked us to call him Harry) had a fine reputation for being what we called ‘odd’ – a codeword between us boys that stood for something much more menacing. He’d picked me out the first time he saw me at the house, with my postbag and blue uniform. I’d tried hard to get that job and didn’t want him ruining it by complaining to the postmaster about my lack of respect. So when he asked to paint me, “do some brief sketches” he said, I agreed though I knew what would become of it. “Thank you William” he said, and smiled. It wasn’t too bad, at first. Quicker than I thought it would be and he was always sorry after, though not so sorry he wouldn’t do it again. What made me most ashamed though was how he made me look in those paintings. Look at me, standing there staring right at you like I wanted it. Leaning against the door, looking into your eyes while no one else was watching. Henry made it look like it was my fault, like it was my choice and I’m here to tell you that wasn’t, not for a minute. That’s what he wanted to see though, he didn’t want to see the disgust, the fear, the pain. He wanted me to look at him like a lover, so that’s what he painted me as and there I am. With my eyes looking into yours, leaning on the kitchen door like I know what’s going to happen next. The bastard.

Based on the painting ‘The Message’ by Henry Scott Tuke in Falmouth Art Gallery.

The Message

750 words

Seven hundred and fifty words. Seems so short, barely a paragraph or two (or three). I can write that. After all, I’ve been writing – the act of making shapes with a pen on paper or banging keyboards with my fingers – for most of my life: reports, reviews, booklets, handouts, notes (research and random), essays, dissertations, theses, Facebook posts, texts, emails. I have spend vast sections of my life writing, writing, writing. So now, why does 750 words a day seem impossible?

Proper writing comes hard to me. I want to write, but I want to write well. I want the words to flow, to run off my page and into your mind like silver threads of mercury, like a blue-grey river rushing furiously over stones and boulders with flashes of foam in the sunlight, like a black panther gliding effortlessly over the grasslands. (I know, the panther does not work at all). I don’t want to write badly, boringly, amateurishly: I find it difficult to accept my status as a hobbyist or, worse, a pretend-writer: someone who says they write but never actually does (I don’t include day to day writing as ‘writing’, of course). I can’t bear to write badly – when I say badly I mean like actual published authors whose books or genres I dislike. Would I prefer to never write a complete novel, to never get published if it meant writing ‘badly’? Sometimes I do consider this seriously even though the rational, sensible writer is shouting ‘bullshit’ at the top of its voice. I need to lower my standards, forget all ideas of writing like my favourite authors, let go of my ridiculous pretensions and just….write. Write as if no-one else, not even me, is reading. Write like I don’t care, write as if I welcome criticism and mockery and lack of success, and failure and humiliation. Come on, let’s have them!!

The painful writer in me is shrinking at the thought of this, this vulnerability. I feel like the hermit crab who has lost its shell: waiting for the fish or octopus or whatever eats hermit crabs to pounce and crush my soft, unprotected body in its sharp bite. I want my armour, my sky-high tower of bricks, built so diligently over years of self-imposed criticism and judgement. But, if I’m being honest I suppose, grudgingly, all that protection hasn’t really worked has it (it’s a rhetorical question, I can hear the answer loud and clear in my own voice). So maybe it is time to be vulnerable, to write like I just don’t care in order that I can actually write at all. It will be crap. Of course it will. But, here and there, like the green shine of sea-glass in the sand, like the sunlight floating through the motes before the window, there may be brief touches of ‘okayness’. Just a sentence in the whole piece, a phrase in a paragraph, an opening sentence that grips and grabs like a vice and a closing line that makes you sigh, regretting the ending already. A character that stays in your head for more than two minutes, a scene that you can just picture, a plot that seems vaguely interesting, that you consider reading to the end. And if these things come once then they will come again, like leaves drifting down one by one at the start of autumn. Firstly just a couple, then a brief flurry and then finally (in about twenty years maybe) a great gust of wind drags them off the branch, turns them upside down and round about and lands them on the ground, to lie in a big heap where hedgehogs hide and children kick. And in that daily process, which starts with writing 750 words a day, you may discover things you never knew existed, rediscovered things you always knew you had but were buried under years of pretending not to give a fuck. Found things you really wish you hadn’t but you know it’s too late to painfully push them back under the rock you found them under.

Writing is more than the act of putting shapes on paper or on a computer screen. We (how presumptuous, using the writerly ‘we’) write to tell the truth as we see it, to lay down our lives through describing the journeys of others, to seek out things we can just see out of the side of one eye, if we squint and crane our neck first one way, then the other. We are writing ourselves into life, making a will through our words.

This is my first piece of an online group where you write 750 words a day – it’s based on the ideas from Julia Cameron’s ‘An Artist’s Way’.  Website link is below.

750 words